We arrive in the final destination on our round up of the male Fashion weeks for Autumn/Winter 2015. Bonjour Paris and we start the proceedings off with a brand not short on that certain Je ne said quoi, yes Louis Vuitton and what a way to start. Kim Jones just seems to be going from strength to strength during his tenure with the Luxury Power house. He drew his inspiration this season, on a personal hero, in the shape of British Designer Christopher Nemeth who was relatively unknown outside of Japan. He interpreted four of Nemeth’s signature prints and at the same time managed to work them expertly into the Vuitton aesthetic, that only he could have achieved to such a high level. Once again leaving everyone, a baited for next season to see what magic he may conjure.
Next up, onto a designer who left me agog with the beauty of his collection, Junya Watanabe, who based the look of his Autumn/Winter 2015 collection on the sub culture of the ‘sappers’ the nattily dressed gentlemen from the Congo. Think, those immaculately dressed dandies of 1930’s Harlem in their Sunday Best fit for Church and an audience with God himself. Nonetheless, this was no retro obsessed collection, this was modernity personified.
Then to Riccardo Tisci’s Givenchy, we saw a departure from the sweatshirts and Tees which have made the Fashion brand such a favourite of the likes of Professor Green through to Kanye West in recent years and a move towards the formal roots of the Parisian house. However, this was a dark and eerie at time unnerving presentation by Tisci and the Devil was literally in the detail.
Ami may not have the heritage of some of the other players on the Paris schedule but it nonetheless delivers and leaves you wanting to run backstage and put an order in with them there and then, not having to wait 6 or so months before it hits the stores and websites. It offers impeccably desirable clothes that you just want. Another French brand able to entice us with such wearable and interesting ranges is Carven offering up a more boxy and sculpted silhouette this season. Relative new comers are Maison Kitsune the duo of Masaya Kuroki and Gildas Loaec, think of this like a pseudoFrench Alban, where they leave you wanting literally every piece from the collection from suiting to Tote bag. The thing all these brands have in common is their comforting lack of avant garde, there is no danger you may need the lookbook just to know have to wear an outfit from these brands but you can rest assure you still know, you look the bis when wearing their wares. This is the same with Paul & Joe, this is not a tricksy brand, where from season to season you’re not quite sure what you might see or get from them. This is a true bastion of wearable apparel.
Kris Van Assche for Dior Homme, seemed to run his show in reverse this season opting to start the presentation with formal attire in tuxedos in various forms then moving between smart and smart casual throughout. Mixing that juxtaposition of high formal then throwing in denim, a baseball cap, trainers or maybe even all three, just because he can.
Next we have the Luxury house of Luxury Houses, Hermes offering a Masterclass in the modern male’s wardrobe and what it SHOULD contain for every possible eventuality, whether that be a business meeting or what to wear for that all important down time, Veronique Nichanian had it covered to a tee, T-shirt that is.
Like Hermes, Alber Elbaz over at Lanvin did his take on what a the contemporary man needs for his functional wardrobe. He divided it into uniform sections which included, pinstripes, tweeds in grey, country plaids, army coats and military jackets.
Penultimately, we have Sir Paul Smith flying the flag for British Sartorialism on the continent. Like so many brands this season he too has adopted the maxim of Orange is the new Black or maybe he’s been watching too much Netflix, either way we have seen everyone from Christopher Raeburn to Missoni, Moschino and Vivienne Westwood all take on the sunshine hue. Smith looked back to move forward this season and saught his design team to plunder his archive of decades of hoarding.
Finally we have Umit Benan who like Pablo Copolla for Bally seems to have been inspired by the films of Wes Anderson. Rather than the The Royal Tenenbaums, Benan appears to have emmerised himself in ‘The Life aquatic’ as whether is was fishing rods or bucket hats his models possessed some element of fishing paraphernalia. But at no time did Umit collection veer to the realms of silliness or gimmick.